Viper Setup Guide

If you want to get started with Viper, you have come to the right place! The following is a step-by-step of how to get a midi trigger working for Viper.

For the demo, I will be using a Pro Tools session on Mac, with a very artistic video I made of a screen saver. I will start in timecode view, grid mode and using the multitool.

First thing to do is to make a new track for Viper:

Viper must go on an instrument track in Pro Tools:

Here is our new instrument track:

Let’s give it a name.

Then we will add Viper to it.

Viper’s two windows appear. The plugin window lets you customize the wipe and the transparent window display it.

Let’s move the transparent window over the video:

…and move the plugin window out of the way of our track:

We’ll make a marker to show where we want our wipe to hit. We have left the wipe duration at 2 seconds so we’ll need to trigger the wipe 2 seconds before this marker.

Okay, here’s where we’re aiming for our actor to start speaking.

Let’s zoom in to create our wipe midi region.

To create our midi note, we’ll use the pencil tool:

…and we’ll change the track view to ‘notes’:

Using the pencil tool, we’ll draw any midi note of any length. Viper will be triggered by the start of the note only.

Now, we can go back to ‘clips’ view to sync up our new midi clip.

Because we have been working in grid mode, our note is nicely lined up to the frame. Now, we need to make the clip 2 seconds long. (Technically, the clip can be any length, as long as the note is 2 seconds before the end.)

We’ll go back to the multitool.

And we’ll cut our clip at the start of the midi note (key command: a).

If we select the clip, we see it is 1 second and 13 frames long. We want it to be 2 seconds long.

…so, we’ll change our selection to 2 seconds.

…and press enter.

We’ll consolidate our selection into a 2 second clip.

We now have our midi trigger clip, with a midi note which starts two seconds before the end of the clip.

It’s so beautiful, we’ll have to name it.

We’ll probably save this clip into our template, so this is nicer than ‘Viper-02’.

So now, we put our cursor where we want the wipe to hit – on our marker.

Then, we cmd + ctrl + click (using the hand tool) on our clip to align the end of it with the cursor.

Now we are ready to hit play and see our wipe in action.

We hit play and watch as the playhead passes over the midi note and starts the wipe. The two lines meet neatly on our marker and our actor starts to speak.

And that’s it!

Here’s the whole process in a GIF:

And you can grab my Pro Tools session here.

As always, for any questions please get in touch here. If you want to try Viper, you can find it here.

Found Sound: Foley Percussion sample pack out now!

by VennAdmin

Our latest sound effects sample pack is out on Beatport now!

To produce Found Sound: Foley Percussion, we recorded the best percussive sounds we could create out of a variety of materials (tools, pots, pans, fruit, vegetables, old phones, cloth, freezers, tires, parking meterse, etc.), producing 13 drum kits including Body, DIY, Textiles, Wood, Mech, Organic and more! We carefully recorded, meticulously mastered and thoughtfully assembled everything so you can add that original and unusual sound to your music.

Free Clip sneak peek – a free and intuitive multi algorithm soft clipper

by VennAdmin

Free Clip is an intuitive multi algorithm soft clipper/wave shaper plugin, available as a Windows VST or mac Audio Unit. The plugin allows you to choose between a range of wave shapes or ‘sigmoid functions’, from the most transparent but harshest hard clip, to the ‘softest’ but most saturated arctangent shape. You can then intuitively set the ceiling level using the slider that perfectly matches the level meter next to it. Oversampling is also available to remove high frequency aliasing; this does introduce peaks slightly over the ceiling level however, so if you intend to use this plugin as the final plugin on the master chain, ensure the ceiling level is set appropriately and/or the post-oversampling clip setting is set.

This plugin is a great way to conveniently transparently boost volume without clipping your daw, whether it be an individual stem or sound effect, or an entire track that you made. It is recommended that the hardclip, quantic or cubic shape be used for mastering, as these introduce no or minimal saturation.

The plugin can be also used as a more traditional saturation/distortion plugin by setting a ‘softer’ wave shape, such as algebraic or arctangent – simply lower the ceiling level to provide more saturation to the signal – just remember to boost the output afterwards. Alternatively you can boost the input gain into the clipper for the same effect. Increasing the oversampling value is helpful if you’re hearing high frequency aliasing in this case! Be warned that high oversampling values such as 16 or 32 times can be very heavy on the CPU.

Free Clip will be completely free of charge, and will be coming soon, available to download at www.vennaudio.com and selected distributors.